Philadelphia Private Party Bands: Why A Reggae Jamming Female Artist?
Posted by Kay Stanford Jr Kastum at 10:36 PMNot every song sung in reggae needs to be about the woes of injustice and humanity getting its act together, although those are some potent points to make through music. For some people, music is a means to relax, a positive way of running away from problems that they may have. But too many people of a certain race, color or creed can make everything sound the same no matter how different they try to be. Something more to your events can come from reggae artists as Philadelphia Private Party Bands.
Throughout history, females have had it hard, even more so if they happen to be women of color. Music has always been an outlet to allow those who have no voice, per say, to speak out or at the very least, unleash emotion in a manner that doesn t resort to destruction. But even in this sacred space, women find themselves at yet another hurdle to overcome.
The best thing about this new wave of artists is that the music they bring out onto the stage or track is awash with content that sells and does not need them to emphasize the use of their body or dependence on a male figure in order to make money. With more and more content from new artists staying away from its sexist roots, more and more artists, female ones, in particular, are finding themselves in a position where they need to push not only themselves but the norm as well.
From the genre s prominence in the late 1970 s female acts were unheard of. With the passage of time, women who had an interest in the industry were often accompanying male artists. The 1980 s gave rise to the likes of Lady Mackerel and Tenor Saw, pioneer solo acts in what was then uncharted territory.
Music is not enjoyed in isolation. Dance accompanies the tunes on the dancefloor or wherever its played as its only natural to dance to music. Trends that place women in a state of physical danger like the infamous daggering dance end up resulting in the more feminine out of the two dance partners nursing some physical bruises that could have unsavory.
But it s not all bad as reggae and the artists within the genre rarely make use of derogatory terms towards the female form, unlike other genres of music that are renowned for it. But that s not to say that they get a free pass because all they due is hypersexualize. That could t be further from the truth. Observations made by Brown Girl Magazine as recently as 2016, noted that women who don t conform to set stereotypes or exhibit masculine qualities get written about more in an unflattering light. The irony in this being that men are praised for the exact set of qualities.
Moreover, this brand of music has found notoriety the worldover and allowed for women of different races, social class and other divisions to relate to one another as there s something that binds them all through the content of the music that they listen to.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
Throughout history, females have had it hard, even more so if they happen to be women of color. Music has always been an outlet to allow those who have no voice, per say, to speak out or at the very least, unleash emotion in a manner that doesn t resort to destruction. But even in this sacred space, women find themselves at yet another hurdle to overcome.
The best thing about this new wave of artists is that the music they bring out onto the stage or track is awash with content that sells and does not need them to emphasize the use of their body or dependence on a male figure in order to make money. With more and more content from new artists staying away from its sexist roots, more and more artists, female ones, in particular, are finding themselves in a position where they need to push not only themselves but the norm as well.
From the genre s prominence in the late 1970 s female acts were unheard of. With the passage of time, women who had an interest in the industry were often accompanying male artists. The 1980 s gave rise to the likes of Lady Mackerel and Tenor Saw, pioneer solo acts in what was then uncharted territory.
Music is not enjoyed in isolation. Dance accompanies the tunes on the dancefloor or wherever its played as its only natural to dance to music. Trends that place women in a state of physical danger like the infamous daggering dance end up resulting in the more feminine out of the two dance partners nursing some physical bruises that could have unsavory.
But it s not all bad as reggae and the artists within the genre rarely make use of derogatory terms towards the female form, unlike other genres of music that are renowned for it. But that s not to say that they get a free pass because all they due is hypersexualize. That could t be further from the truth. Observations made by Brown Girl Magazine as recently as 2016, noted that women who don t conform to set stereotypes or exhibit masculine qualities get written about more in an unflattering light. The irony in this being that men are praised for the exact set of qualities.
Moreover, this brand of music has found notoriety the worldover and allowed for women of different races, social class and other divisions to relate to one another as there s something that binds them all through the content of the music that they listen to.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
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